MISS JUNE 75’
MISS JUNE 75’
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fruityogurt:

https://www.instagram.com/p/Bjl2svSAzHy

Permalink (3,801 notes)Via: tordenvejr
fruityogurt: “https://www.instagram.com/p/Bjl2svSAzHy ”
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365filmsbyauroranocte:

Émotion (Nobuhiko Obayashi, 1966)

Permalink (15,506 notes)Via: hautebrit
365filmsbyauroranocte: “ Émotion (Nobuhiko Obayashi, 1966) ”
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showstudio:

‘White Trash’ - Christopher Makos

Permalink (23,643 notes)Via: dontfindmi
showstudio: “ ‘White Trash’ - Christopher Makos ”
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touchisthemiracle:

Today’s theme: The Seer

Permalink (658 notes)Via: vesper-to-the-stars
touchisthemiracle: “Today’s theme: The Seer ”
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touchisthemiracle:

hheininge-art:

Crescent

heatherheininge

Today’s theme: Mister Moonshine

Permalink (3,409 notes)Via: vesper-to-the-stars
touchisthemiracle: “hheininge-art: “ Crescent heatherheininge ” Today’s theme: Mister Moonshine ”
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touchisthemiracle:

Today’s theme: The Seer

Permalink (832 notes)Via: vesper-to-the-stars
touchisthemiracle: “Today’s theme: The Seer ”
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Permalink (3,871 notes)Via: vesper-to-the-stars
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soundsof71:

Take it from yer ol’ Uncle Lou: punk ain’t a costume. It’s character. Pastels will do just fine. (Steve Emberton photo)

Permalink (2,288 notes)Via: dontfindmi
soundsof71: “Take it from yer ol’ Uncle Lou: punk ain’t a costume. It’s character. Pastels will do just fine. (Steve Emberton photo) ”
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unsubconscious:

Stills from the 1917 Futurist Art Deco movie “Thaïs” by Anton Giulio Bragaglia.

Permalink (4,713 notes) Via: enfermera-iixi
unsubconscious: “Stills from the 1917 Futurist Art Deco movie “Thaïs” by Anton Giulio Bragaglia. ”
unsubconscious: “Stills from the 1917 Futurist Art Deco movie “Thaïs” by Anton Giulio Bragaglia. ”
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peregrinage:

leonor fini wearing costume for the Bal de La Nuit du Pre Catelan, Paris, June 1946 by Andre Ostier

Permalink (21,456 notes) Via: enfermera-iixi
peregrinage: “leonor fini wearing costume for the Bal de La Nuit du Pre Catelan, Paris, June 1946 by Andre Ostier ”
peregrinage: “leonor fini wearing costume for the Bal de La Nuit du Pre Catelan, Paris, June 1946 by Andre Ostier ”